OUGD601 - Practical Work - Issue 1 & Issue 2 Comparison

Comparing the two issues allows the future of queer publications to be considered. Issue one was created entirely around the ethos of the zine community, and placed accessibility amongst its most important considerations. From its unconventional design to its lo-fi production, the magazine embodied the legacy of zine culture in queer publications. The issue so far has been a success, and approximately 200 copies have been distributed either through conferences, independent bookshops or online. Although distribution has also remained largely within the queer community, rarely pushing outside of this boundary. Issue two, although not currently in circulation, has the potential to gain success at this level. Its commercial, some might say generic, design perhaps make it more accessible to the general public. Its higher production value would place the magazine amongst the higher rankings of independent magazines, which therefore enhances the power and capability of lesbian and queer voices in mainstream media. As concluded in the extended essay, the future of queer publications appears to be the increased utilisation of commercial design strategies, blended with the energy and spirit of the zine community to create viable, authentic platforms with far reach benefits for the queer community. Although research did warn that commercially led queer platforms have a tendency to put profit and gains over their audiences, the exposure that the queer community receives through these platforms has undoubtedly influenced the inclusion and acceptance of queer individuals in society today. Independent publications, such as About Honey, are hugely significant in the representation of queer history and queer present, and create the necessary space needed for queer future to exist.

OUGD601 - Practical Work - About Honey #2 Print Production

The production of issue 2 will utilise the full commercial process and will be printed in full colour on industry-standard equipment. Stock choice will be a 90gsm bright white stock with a matte finish. As this mock-up of issue 2 has fewer pages than a standard commercial magazine, the publication will again be saddle stitched. However the full magazine would have a larger volume of pages and would therefore be perfect bound.

OUGD601 - Context of Practice Tutorial 4

The first draft of the extended essay was reviewed. Dom noted that although the main body of the text was solid, many of the paragraphs could be strengthened by referring back to the question and reiterating the point from a graphic design angle. The use of varied case studies was commended, however it was also noted that more design theory could provide a deeper context for the subject matter.

It was decided that in order for the content to better fit together as one the question could be changed to 'How Does The Legacy of Queer Zine Culture Affect the Design of Queer Publications Today'.

OUGD601 - Practical Work - About Honey #2 Internal Spreads

The internal spreads of the magazine were also reworked to reflect the layout design found in high end independent magazines such as Hello Mr. and Gentlewoman. In contrast with the original first issue, this new commercial version uses full colour pages to highlight content, as well as black and white images alongside. The structure of the layouts utilise a conscious use of negative space, placing text and image together in a considered manner and isolating images to bring focus to the content. Images are now paired in a perhaps more obvious way, allowing the material to be seen as individual and complimentary images without the need for deeper context of queer history. This opens up accessibility to the content for both queer individuals and the wider straight community, allowing the magazine to become marketable to wider audience. Copy is also aligned into columns, creating articles of text rather than footnotes and references.

OUGD601 - Practical Work - About Honey #2 Front Covers

A new cover design was also created to represent the new commercial magazine. The first experiment produced a cover with a full colour image overlaid with solid type, as a homage to the commercial queer magazine Girls Like Us. In a critique group this design received negative reactions as many felt that if anything the design was too commercial, and the cover did not accurately represent the concept of About Honey as a project and would not match the content inside.

It was suggested that the original cover be reworked, and commercial elements added in, such as a stricter grid system, and pricing and barcode details. There was a strong preference for cover 1 as from a graphic design perspective it was felt that this design was the most original. However, it was also agreed that cover 2 actually felt the most commercial because of the stacked logo, and was more accurate to the designs that people would most likely see in a shop.

1

2

After feedback from this critique a back cover was also created. Unlike the original cover the back of the publication would not be a continuation of the front image, instead a full bleed erotic image would be used to replicate the full page advertisement that usually adorns the back of most commercial magazine. The image is also complete with it's own censorship of the female body as in a real commercial setting this kind of content would probably not be published unless it had been censored before sale.

OUGD601 - Practical Work - About Honey #2

       The legacy of queer zine culture has created the foundation on which queer publishing now sits.

       Almost all queer publications today, whether small zines or large scale magazines, utilise zine 

       aesthetics within branding, layout and design. If it’s a question of success between zines and 

       magazines, there is no winner. The production and distribution of zines encourages community, 

       and their amateur yet pioneering designs allowed them to remain accessible to a wide audience, 

       regardless of content. In contrast, highly produced commercial magazines are created to sell a 

       lifestyle, and a well designed magazine with a specifically designed exterior will create a 

       consumable and desirable brand. Although approached from different angles, both create the 

       same form of community, and both create vitally important representation for queer individuals.

                                                                               — Extract from extended essay conclusion  

About Honey was created during the research phase of the extended essay, and drew much of its inspiration from the initial findings of the investigation. Issue 1 took into consideration the design history of queer publications, and the majority of the  production drew heavily from zine culture. The design knowingly utilised collage-style layouts and a lower print quality so as to create a more accessible queer magazine for an audience who would be more familiar with this style of publication. However, it was not produced using the results of a full analyses of the design and production of queer publications today. As such the magazine as it stands does not fully adhere to the conclusions that were formed during the latter part of the extended essay, in that queer publications today have a greater potential for a larger platform in a commercial market through the use of more commercial design strategies.

Upon consideration of these conclusions, it is possible that About Honey could be expanded as a platform to further enhance the original concept. A commercial counterpart to issue 1 will be created, applying the use of commercial design considerations for branding and layout, and commercial printing techniques in order to demonstrate the potential for the inclusion of lesbian voices in mainstream printed publications. This will allow both sides of queer publishing to be presented in order to evaluate the most effective solutions for future About Honey publications.

OUGD601 - Context of Practice Tutorial 3

A couple of paragraphs that had been written for inclusion in chapter 2 was shared with Dominique. The deadlines for each chapter were reviewed and a new timescale was devised. Ideally a first draft would have been completed by the christmas break, but due to personal circumstances this was not possible. However it was agreed that much of the writing could be done over the christmas break and that by the start of the new term a first draft could be completed and ready for review.

The practical element of the extended was also reviewed. It was agreed that as a main theme of the essay would be evaluating the success of queer publications, a body of work that reflected the ideas of success within graphic design would be the most relevant. It was discussed that undertaking a rebrand of a publication that had been found to be unsuccessful within the research of the essay could be an appropriate project to undertake. The concept of archives could also be discussed within the essay and this could be extended into the physical work also - perhaps the creation and branding of a new archive or a new publishing house that would represent the publications examined in the essay.

For the next tutorial in the new term a first draft of the essay will be complete and a more solid idea of the practical work along with research for this will be presented.

OUGD601 - Extended Essay Extract - Them.

Perhaps the newest of all queer publications making its debut into the commercial realm is the yet-to-be-released Them. magazine. The first independent brand to be launched by media giant Condé Nast in over a decade, the endeavour promises “a next-generation community platform [that] chronicles and celebrates the stories, people and voices that are emerging and inspiring all of us, […] through the lens of today’s LGBTQ community”. Spearheaded by the former digital editorial director of Teen Vogue, the acclaimed Phillip Picardi, the brand initially launched on 4 October 2017 with the promise of a physical printed magazine as well as an immersive online presence through social media sites including Facebook, Twitter and Instagram.

While social media sites appeared to launch successfully, at the time of writing there had been no word as to when and how the magazine would actually appear. However from a design point of view the branding has all the signs of a potential success. Playing into a myriad of recent design trends the logotype features a heavy, italicised sans-serif typeface marked by an imposing full stop (picture). The logo as it appears on social media implements a contrast between black lettering and a background colour not too dissimilar to ‘millennial pink’, although this has been reworked slightly to reflect a more flesh-like hue in order to retain some originality. Variations of the logo used across social media banners feature a range of pastel tones in blue, green and purple, all of which were listed as some of the most popular colours amongst the online generation in 2016-2017.

The name itself appears to show a surface-level awareness of issues relating to gender and identity, which initially caused much excitement within queer circles. However there has also been much opposition to a name that can create such a clear sense of division and exclusion between the queer and straight communities - us vs. them implies a fundamental difference between the two sides which simply does not exist and only serves to widen the gap between understanding and acceptance.

Despite this the branding is clear and effective in its appeal to a young and socially aware generation, and has gained the platform a combined audience of nearly 60,000 over their social media sites alone.

Considering that the venture has yet to fully emerge in both of its physical and digital manifestations, the platform has already been through a significant rebrand. The current logo was introduced to social media sites on 20 October 2017, replacing the original logo just two weeks after the initial launch of the platform. What is perhaps most interesting is that the contrast between the original logo and the current iteration is markedly different. Although the colour scheme appears to have remained the same, the original logo consisted of a formal serif typeface which is more akin to independent publications such as Riposte and Hello Mr. (pictures), magazines that typically entertain an older, more mature audience. Allowing greater accessibility to a younger generation through rebranding therefore may have been an astute decision. Their original manifesto highlighted the importance of celebrating and encouraging the future of the queer community, and branding themselves within a niche market of young queer audiences that are in dire need of an outlet should, in theory, ultimately provide a greater success for the platform.

Examining the success of Them. through its branding alone can only provide an incomplete and uncertain evaluation of its future, but it cannot be denied that investing in marginalised queer voices is a significant step for a company as large and as influential as Condé Nast, and should serve as an example to the rest of the publishing world. However it remains to be seen whether Condé Nast are willing to contribute to solving the deeper problems faced by the queer community or whether this venture is purely for commercial gain and improving the reputation and gains of the company.

OUGD601 - Extended Essay Research - Them.

Them. is a new platform launched by Condé Nast on 4 October 2017 that promises content for and by LGBT and gender non-conforming individuals, focusing on political and social issues as well as fashion and entertainment. The platform will consist of both a printed magazine and social media presence (Instagram, Facebook, Twitter). It is interesting that this venture has chosen to construct an online presence before a physical one. At the time of writing there have been no indications of if and when the printed magazine will make its debut.

Amid the release of Them. Condé Nast revealed that they would be ceasing production on the print editions of Teen Vogue, one of their most successful magazines to date, due both to budget cuts and a favouring of the use of digital platforms to connect with a digital generation. The timing of this decision is note worthy as in the last few years Teen Vogue changed creative directors and made a remarkable shift to focus more on social and political stories relevant to its younger audience, as well as providing a greater voice to individuals of all colours and genders. Teen Vogue had evolved dramatically to represent many of the ideals laid out in the manifesto for the Them. platform, so it would perhaps seem counter productive to axe an already successful platform in favour of generating a new one without the promise of success. This leads to the conclusion that perhaps we won't see a printed magazine after all.

The existing branding for Them. will be analysed as part of the extended essay. Initial observations reveal that the platform went through a significant rebrand just two weeks after its initial launch in order to attract a younger audience. The printed magazine will perhaps aim to sit amongst other high-end low-budget lifestyle magazines, including the likes of Riposte, The Gentlewoman and Hello Mr.

OUGD601 - Context of Practice Tutorial 2

During the second feedback session the plan for the essay was examined and evaluated. It was discussed that although there were many examples of publications identified that could be used as case studies it is important to ensure that each case study remains relevant to the original questions. It is also important to fully research design theory and integrate it into the evaluation of these case studies in order to ground the main ideas explored within the essay in relevant context.

For the next tutorial session it was agreed that research would have again continued and writing would have started on one of the chapters.